JANNA VANDERVEEN

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We are star walker’s, each and every one of us, wading through light and darkness, while awakening to goodness and love. In the darkness we feel alone, yet God entered our darkness so we would never be alone, and thus darkness is but an illusion. In the light, we see the truth of God’s goodness and we no longer fear the shadows, for we see that they also are illusions which dissipate… Read More

When starlight dances, It bequeaths pure light, Empowering fireflies, And princesses alike. It whispers of magic, It resonates might, It sings in the darkness, And transforms the night. ~ Janna Vanderveen

I recently stumbled across Canadian painter, Melissa Mckinnon’s artwork.  I have long-loved incorporating finger-painting into my artwork, as evidenced by my previous paintings, and felt inspired to try and paint my own birch/aspen tree.  I completed this painting on an 8 x 10″ piece of 140 lb. watercolor paper and used a variety of acrylic paints as well as modeling paste for texture.

I completed this 9″ x 13″ watercolor illustration on 140 lb. watercolor paper using Winsor Newton and Maimeri Blu watercolor paints.

She wanders alone, Exploring a world not her own, Seeking someone to love, And a place to call home. ~ Janna Vanderveen

Vivid, colorful, and full of light, this young woman surfaced on my page as I coaxed her to life with my fingers and brushes.  I painted her on a 4″ by 6″ piece of watercolor paper (140 lb.) using acrylics, oils pastels, and inks.

 Be though my vision  When I cannot see.  Whether waking or sleeping  Reveal yourself to me.  ~ Janna Vanderveen

Mixed Media | Collage Girl “Her skin holds the keyTo a world of mystery.Foretelling hidden secretsAnd a life of beauty.”  ~ Janna Vanderveen  

Rainbows and pearls  Adorn fairies and sprites Who dust imaginations With magic and light. ~ Janna Vanderveen

My watercolor study of Danielle Donaldson’s work.    

This week, I viewed several YouTube tutorials on “negative watercolor painting.” I was intrigued by the title, learning quickly that it’s not a reference to one’s attitude. Instead, it ‘s a style of backward painting, or painting outside the lines/edges of a picture. Another way to describe it is coloring in the negative spaces, using multiple layers. This technique fosters an impressionistic or fantasy  feel. My watercolor painting was inspired by Sydney Harper’s, “Rooftops.”