Mixed Media Painting | Fluffy Puppy 2
My daughter and I tackled another mixed media painting together, after she asked me to paint her a second puppy portrait to place on her bedroom wall. She drew this image over top of a mixed media, ephemera-rich background. I used inks, Caran C’ache Neocolor 2 crayons, golden acrylic paints, Winsor Newton Oil Bars, oil pastels, Posca Pens, Gelatos, and a Stabillo pencil to complete this look. We both like how she turned out.
I cannot begin to tell you how much fun it is to paint freely and forget all the rules. This abstract painting was inspired by Juliette Crane’s, “Wild and Free” course. It makes me think of winter, traveling, and the colors of Christmas.
Mixed Media Painting | Wanderer
This painting captivates me. I find myself contemplating the untold story within its layers, only to grapple with the feelings it evokes, ones of sadness, intrigue, and wonder. The forest looms, yet is beautiful. The princess appears to be lost and alone, yet is accompanied by her faithful friend (the bunny). Her bunny seems trapped, unless it climbed onto the branch to nestle in the crook of the tree’s arms, to better appreciate the lush wilderness of its surroundings. Layers. This painting itself took many layers over several weeks to create, starting with acrylics on paper, and ending with fingerprinting in procreate.
Acrylic Painting | Camping at Dusk
I tried my hand at creating something a little different this week, compared to my usual splashy, color-filled paintings. Having recently learned some new skills from the great Lucy Brydon, a master Gelli print artist, I decided to experiment with my supplies to create an image which has been floating around in my mind. Using muted tones, I created a landscape scene using a Gelli plate and open acrylic paints. Drawing into the background after it dried, I added additional details using a variety of acrylic paints, Posca pens, Derwent Inktense Pencils, Caran D’Ache Luminance pencils and neocolor 2 crayons. It may look somewhat simple, but it was fun.
Acrylic Finger Painting | Girl in Forest
I had a vision of a girl standing between the trees with her bunny, staring out at the world. She was neither happy nor sad. Accepting, I think. Maybe somewhat lost and alone. But ultimately, I knew that she belonged in this forest of light, where peace, love, and beauty abound.
Girl in Forest, Janna Vanderveen 2017
Acrylic Painting | Magical Forest
I recently stumbled across Canadian painter, Melissa Mckinnon’s artwork. I have long-loved incorporating finger-painting into my artwork, as evidenced by my previous paintings, and felt inspired to try and paint my own birch/aspen tree. I completed this painting on an 8 x 10″ piece of 140 lb. watercolor paper and used a variety of acrylic paints as well as modeling paste for texture.
Mixed Media Painting | Tamara Laporte Style "Flower and Ink Girl"
One of my favorite on-line art teachers is Tamara Laporte from willowing.org in South England. An accomplished artist and soon to be author, she has mastered the craft of creating whimsical characters on paper. She recently completed a series of paintings using only a few Tombow markers and some Caran d’ache neocolor crayons. I was intrigued by the simplicity of her supplies and the complexity of her pieces, and thought that I’d try to emulate her work. I had to improvise on my supplies, since I do not own Tombow markers (they are on my bucket list of art supplies to someday own), and used a variety of watercolor paints, inks, and pencils instead. Overall, I think my whimsical girl turned out pretty nice.
Watercolor Girl | Patriot's Heart
This is the second, in a series of three watercolor thank-you cards, featuring my whimsical princess with her bunny. I love painting sunsets and valleys reflecting the beauty of life all around. I used a combination of artist grade MaimeriBlu and professional grade Winsor Newton watercolor paints on this 5×7 card.
Digital Art | Born of Dreams
She materialized to life
From the shadowland’s hold.
Filled with color and light
And visions untold.